They don’t make nature shows like they used to. They make them way better.

But good old Marlin Perkins did the very best he could with the tools of the time. Sixty years ago, Mutual of Omaha’s Wild Kingdom aired Sundays on NBC and I didn’t miss an episode. I was one of those kids that couldn’t get enough of animals. And I didn’t have a pet. I hounded my dad and badgered my mom for one, but they were dogged and I remained skunked. I might’ve gotten another stuffed animal out of it.

I had a strong aversion to animal cruelty, and animals do a lot of it to each other. So I’m not sure how I managed to get through Wild Kingdom. These were dark ages, darlings. There was no such thing as a trigger warning. And it came complete with dramatic musical accompaniment.

Still, you could pretty much see what was coming for yourself. I recently rewatched an episode about wild cats. Marlin Perkins, a very dapper gent, explained how he set up his tripod in puma territory and waited for the puma to emerge from her cave. Oh look! She has kittens! Oh no! Here comes a marmot!

Well. The marmot bounds off but is no match for the cat. [The string section swells.] Trapped, that big fatty stands up on its hind legs and faces off with the cougar. And I will be damned if it doesn’t get a good bite in, too. That was one hell of a marmot—no doubt a legend among Rodentia. But on the second pounce, there’s nothing but a dust cloud and a crunching sound and then the marmot dangles like a dishrag all the way to where the kittens are. It was horrible to watch today. I don’t know how I handled it when I was ten. I mean, I flat-out sobbed when the boys (of course, the boys) dropped Daddy Long-Legs through the electric fan or stuck firefly abdomens on their foreheads.

However, at this point the viewer can clearly see the advancing whiskers of the Mutual of Omaha advertisement nosing around the corner. Because just as the mother puma takes care of her kittens, Mutual of Omaha will take care of your family. Mutual of Omaha no doubt sells life insurance also, but Marlin Perkins will never say “Just as the marmot family has prepared for the grisly demise of their punctured and shredded patriarch, Mutual of Omaha…”

Marlin Perkins also had some captive cats in his studio and tried to demonstrate something by juggling an adolescent tiger—it was like trying to herd mercury— but the cat was having none of it, and he ended up calling for handsome young Jim in his crisp safari shirt to bring out a more biddable beast. Handsome young Jim comes in with a slightly smaller jungle cat on his shoulder and a rigid look to his neck.

Modern nature shows will show you a coordinated ballet of insect nose hairs magnified a billion times or the slow-motion feather-furling of a hawk flying into a hole the size of a wallet. They’re snapping cameras on crane heads and wombat butts. Soon enough we’ll be seeing the time-lapse digestion of a whole rat from inside a snake. Danger exists in the wild at every turn and modern nature shows will show you close-up facial expressions of animals down to every scale and scute and follicle. You don’t have to wonder what that marmot is thinking. You’re zoomed in a foot away from a rippling in the ruff indicating existential dread, a sudden drop in the whiskers for each of the eight naked pups waiting in her den, and the flash of her entire short life in her eyes. Sarah McLachlan is singing in the background, and you have to switch to the Great British Baking Show if you’re going to get any sleep.